The Case for Eurodance

The 90s were a strange time. A huge number of trends and scenes opened up, in music, fashion, film, etc, and almost none of them have aged well. Perhaps the most bizarre, or most maligned of these trends was Eurodance, a wave of music that sprang up in countries like Germany and Italy in the late 80s and became a cultural phenomenon by the mid 90s. Has it aged well? Not at all. Was the music particularly revolutionary? Not really. Is it absurdly endearing? You bet.

Take Eiffel 65’s 1999 classic “Blue (Da Ba Dee).” Check out the atrocity of a music video here.¬†Since its inital release, the song has maintained steady popularity, parodied relentlessly, and often included in films.

Another classic hit is Scatman John’s 1995 track “Scatman (ski-ba-bop-ba-dop-bop).” Who can resist a lovable old man babling nonsense over a super catchy synth beat?

Are either of these songs any good? Not really. They’re catchy sure, but lyrics are virtually nonexistent, and a a majority of this genre is just a cacophany of synth and drum beats.

So what makes eurodance so endearingly popular? Easy. Nostalgia. The sound of eurodance encapsulates the 90s. The musical arrangements, the dated clothes, the awful cgi. All of these provide a glimps into a time long gone. I’m not going to pretend eurodance is Mozart or anything but i’ll at least have a bit of it on rotation just for kicks.